Posts tagged Cannes Diaries
Cannes Diary #5: A Step Towards Change

And on the fifth day of the Cannes Film Festival, women fought back.

This festival has always had a tricky relationship with women. In its 71 years history there have only been 82 female directed movies accepted into competition, and 1,688 men. Only two women have ever won the prestigious Palme D’Or - Agnès Varda was given an honorary award in 2015, and Jane Campion won for ‘The Piano’ in 1993. But Campion actually shared the award with a male director, Kaige Chen, who won in a tie for ‘Farewell My Concubine’. This year, there are three women in competition - Eva Husson, Nadine Labaki and Alice Rohrwacher.

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Cannes Diary #4: Survival of the Film-iest

As soon as I opened my eyes, I knew my theme for the day would be: survival. I was in one of those deep sleeps, the kind where you lie so hard on your arm it hurts when you wake up. I don’t know anything about REM cycles, but I must have been in the part of it where your alarm shouldn’t go off. Because even though I’d had enough hours of sleep, I felt like I’d been hit by a truck.

I grabbed two coffees on my rush down the Croisette, peering at the beautiful sparkling sea underneath my sunglasses. It really is gorgeous here. The blue water, the white sand, the glamorous people who look like they could either be on their way out or coming back after a night of partying. In my years at Cannes, I’ve only been to a handful of parties. Who has time, I always wonder, when there are so many movies to watch?

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Cannes Diary #3: Vive La Résistance!

My first mini rebellion came in the form of the snooze button. I had planned to wake up at 6:30am, to get myself decent and walk to the Palais des Festivals in time for the 8:30am screening of ‘Leto’. But feeling like breaking my own rules, I did the devil horn thingy with one hand and reset my alarm with the other. I would go to the 11am screening instead.

Ok, so I may not be totally punk rock, but ‘Leto’ sure was. Based on a true story, the film (the English title being ‘Summer’) is set in Leningrad in the 1980’s. It follows two bands, one upcoming and one more established, who are trying to make their mark and find their voice in the Russian underground scene of rock n’ roll…

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Cannes Diary #2: F for Film (and French)

Every time I come to Cannes, I am determined to speak French. I studied the language back in 2010, before spending a month in Paris. A month where I bumbled around town, but remained upbeat about it. I got myself into all sorts of faux pas… such as the time I told a strange man in a park that I loved him. But even though I’m not good at speaking French, I do enjoy the challenge. I also like the way I’m much more decisive and “in the moment” in this language, being that I can only speak in short sentences and present tense. “I would like a coffee!” I exclaim loudly to a startled waiter in a café. “It is raining,” I remark to a lady on the street, in what I hoped was a thoughtful tone, as if I was contemplating the deeper meaning of water coming from the sky.

It did rain a little as I rushed off to see ‘Everybody Knows’, the opening film by Asghar Farhadi. I commenced my usual morning routine of walking as fast down the Croisette as my legs could carry me, whilst shoving a croissant in my mouth and scalding my tongue with coffee…

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Cannes Diary #1: Yes We Cannes?

After a relaxing two days sipping rosé in Provence with a good friend, it was a shock to my system to arrive in Cannes. The film festival brings a hustle and a bustle to this normally sleepy tourist town, with mopeds whizzing past the limo drivers who are battling traffic on their way to the red carpet. Critics try to squeeze around dawdling tourists on the sidewalks to get to their screenings on time. And street sellers are peddling selfie sticks right outside the red carpet, despite this year’s rule of no selfies sur le tapis rouge, merci!

Over the six years I’ve attended the Cannes Film Festival, it’s been fascinating to watch how it moves (or doesn’t) with the times…

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